Urikohime no Yoru (reenactment)/Hanjin (premiere) Three Major Yokogumi

　Script, Composition, Direction Hiroshi Aoshima
　Staging: Midori Washida
　Assistant Director: Yuya Matsushima

　Opera "Urikohime no Yoru" (Re-staging)
　　Original story "Urikohime and Amanjaku" by Daijiro Morohoshi
　　Conductor: Kozo Kobayashi
　　Piano Kae Tokutomi, Yayoi Fujiwara, Momoe Yamashita, Ikuko Youma
　　Percussion Takako Yamaguchi

　　Urikohime Mina Yokoyama
　　Amanjaku Akahoshi Keiko
　　Tobimaru Junichiro Hayashi
　　Yamamba Taguchi Taumi
　　Yamafather Masashi Kubo
　　Kiyomaro Yoshiyuki Tanigawa
　　Village headman Yasuo Suzuki
　　Kuniko Shimizu
　　Sudama I Kyoko Oikawa
　　Sudama II Miyako Kurokawa
　　Sudama III Yoko Tadasu
　　Tengu no Taisho Hideaki Yamazaki
　　God of the block

　Opera "Hanshin" premiere
　　Original story by Moto Hagio
　　Conductor: Kento Takeuchi
　　Piano: Kae Tokutomi, Yayoi Fujiwara, Momoe Yamashita, Ikuko Youma
　　Fl Hiroki Nakayama
　　Cl Naoki Awata
　　Cb Katsutetsu Iida

　　Eugene Chizuru Mitsuhashi
　　UC Sachiko Otsu
　　Mama Emiko Azuri
　　Papa Izuru Fukuyama
　　Aunt A Kiyo Tamura
　　Aunt B Chie Arai
　　Doctor Hiroaki Kanno
　　Angel's Voice Tadashi Suzuki, Tamaki Kuroda, Asako Haraguchi
　　Boyfriend Yuya Matsushima

The short story "Half-Blood God" by Moto Hagio, a manga artist who has been compared to Leonardo da Vinci and is even more of a perfect creator, is a shocking work.
It is not a manga that expands the boundaries of shoujo manga, but rather is innovative and profound in its subject matter, intent, and expression.
The creator himself spoke about this work at a lecture in Italy (included in the book "My Shojo Manga Lecture" in Shincho Bunko), so creators of the world should read it carefully.

　Secondary expressions have been made in various forms such as theater and film, but here, for the first time, an operatic version was permitted.
Although I am not confident of surpassing the original work, I would like you to see how close I was able to get to it.
Urikohime no Yoru" (original title "Urikohime to Amanjaku") by Daijiro Morohoshi, an isolated manga artist of the same age as Mr. Hagio, is being performed again for the first time in three years.
This time, the play is set in an elementary school in the Heisei era, a departure from the first performance (which was attended by the two manga artists), which tried to be faithful to the original work.
This time, the play is set in an elementary school in the Heisei period, and I am wondering how far I can get away from the spell of the original work, like the Monkey King in the palm of Buddha.