Daughter of beautiful Shinjuku Hanazono

　This is a new stage production. The genre is not yet known. The main character is played by an actor, a dancer, and a singer.
　I wondered if the "water mill" that Schubert described in Austria 200 years ago might be about present-day Shinjuku (the Kabukicho area of Tokyo). Just as I was thinking this, my personal research on the history of performance styles led me to connect Schubert and Hibari Misora. Hibari Misora used to eat pancakes in this Ojo Building built in 1964 in Shinjuku ...... and this building was initially a "famous music cafe".
　The 19th, 20th, and 21st centuries, Tokyo and Austria, art and popular culture. Here in Shinjuku Garden, where different things intersect, this work moans, screams, and quietly weeps.

［Synopsis.]
　It was raining heavily in Shinjuku that day. The streets were overflowing with water, and Yasukuni Street was like a river. A man is carried by the current of the river and arrives at the night district of Shinjuku Hanazono.
　There he met a beautiful girl and fell in love with her. The man frequents Shinjuku Hanazono and becomes acquainted with the girl. The girl, who was as beautiful as crystal clear, was intelligent and had a mysterious shadow in her eyes. However, the girl has another man in her life.
　The other man was a host and an artist. He had talent but no money. The daughter sells her flowers for his art. All for the sake of beautiful art. ......
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Written, directed, and music by Sunahiko Fuse

Original story: Schubert & Muller
Man: Shunya Oguchi (actor), Yasushi Kurotaki (dance), Toshiharu Nakajima (countertenor)

Another man: Takamichi Narusei(Actor), Daughter: Chinatsu Shiiki(Actor), Water: Sarasa Chinmoku(Dance)
Gensuke Kanki (Guitar), Mayuko Ishigami (Violin), Risa Honda (Viola), Manno Shimojima (Cello), Sunao Fuse (Contrabass), Taruka Sakamoto (Trumpet)
Tsuki Odawara [Art Creation] (stage director), Go Koma (art direction), Makoto Uemura (lighting), Yoshimoto Masuda (sound)
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The performance is scheduled to last 90 minutes. An after-talk is scheduled after each performance.
The venue is on the 3rd floor. As the building is not equipped with an elevator or escalator, you will need to use the stairs to reach the venue.