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Open rehearsal of Music Terakoya "Sound Storytelling" (Day 1)
〜Welcome Mr. Junichiro Murakami, viola player - vol.8
2024/07/03(We.) 10:15 Starting
Official https://sachikohongo.com/r-8/
Viola player Junichiro Murakami and everyone will spend the four days leading up to the performance carefully working with the music. With a single word from Mr. Murakami and his persuasive tone, the music comes to life and changes as if by magic. How does a performer read a score, face the music, and become one with it? How do they add heat, color, and life to the sound? This process is common to other fields as well, and we are sure that you will discover something new. Open lessons will also be given. Whether you just want to listen to a few or want to fully immerse yourself in the whole day, you are welcome. This is a music terakoya where everyone can think about various things from different perspectives and through music, not just about the specialized content of music!
Program
Mozart (1756-1791) "Kegelstadt Trio". It seems to be so called because there is an anecdote that he composed while playing Kelgeln, the original form of bowling. We do not know if this was true, but for Mozart, creating a masterpiece may have been so easy that he could do it while playing. In fact, this piece was composed in 1786 (the year of the composition of the opera "The Marriage of Figaro"!) ), when Mozart was 30 years old, during an exchange with the Jacquin family, with whom he was close in Vienna. The family had a fortepiano (the prototype of today's piano), which was new at the time, and they often held music concerts. At the premiere of this piece, the piano was played by Franziska, a daughter of the Jacan family and an excellent pupil of Mozart, the clarinet, which was still a newly invented instrument at that time, was played by Anton Stadler, a close friend and a master player, and the viola was played by Mozart. Mozart, in his mature stage of life, handled these two instruments, which were still new at the time, and the viola with great skill, and this innovative and unusual composition is a masterpiece of music. This time, the clarinet will be replaced by the violin.
The works of Beethoven (1770-1827) will be taken from his early String Trio, Op. 9-1, and his mid-period String Quintet, Op. 29. When I listen to Beethoven's music, I feel as if it gives me the courage to live. In his music, I feel the message that no matter what hardships we face, with human will and nobility, we will one day break through and laugh in high spirits. The music is not an endless song, but rather music that is spoken. Short motifs are spun together, and each voice part is related to the others in a three-dimensional way, building up and moving forward. Let's savor Beethoven's music as we slowly unravel them. Mozart's and Beethoven's music, in a sense, seem to contrast with each other. Beethoven's music seems to climb to the heights of heaven, while Mozart's music seems to be heavenly to begin with. Both composers, however, are united in having very strong personalities, yet at the same time being remarkably organic and natural. Join us in this challenge to see how far we can take the works of these two great geniuses in sound.
Admission and ticket purchase
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Admission fee
◆Participation Fee (free to come and go on the day)
2,500 yen (General)
2000 yen (Students)
For concert set ticket application, click here
4,500 yen (Concert, General)
3000 yen (Concert for college students)
2000 yen (Concert for high school students and under)
6500 yen (Concert General + 1 day rehearsal) (Save 500 yen!)
12500 yen (Concert General + Rehearsal All-day Pass) (Save 2000 yen!)
4000 yen (concert for university students + 1 day rehearsal) (save 1000 yen!)
3500 yen (Concert for high school students and under + 1 day rehearsal) (1000 yen discount!)