Yoichi Anebo Recorder Recital 2023 Revolution Kansai Performance

Yoichi Anebo Recorder Recital 2023
The English Revolution
～The Revolution of 17th Century English Music, Renaissance Recorder Revival and Innovation

Yoichi Anebo, recorder
Thomas Baete, viola da gamba
Tomoko Kakuma, harpsichord

Program
From The Dancing Master, compiled by John Playford
Matthew Locke, Suite No. 3 in D
William Laws, Suite No. 7 in D
Nicolas Matheis Passaggio and Grounds
Others

Kansai Performance
Saturday, August 12, 2023 (Concert begins at 15:00) (Doors open at 14:30)
Kobe Seiai Church of Christ Church of Japan (https://www.kobeseiai.org/)
Adults 4,000 yen/University students and younger 2,500 yen (student ID required)
(Tickets on the day of the performance are 500 yen more for each ticket.)

Reservations and inquiries
Office Arush 03-3565-6771 http://www.o-arches.com (for all performances)
Miyazaki Ancient Music Society 090-5489-9280 pavane@izm.bbiq.jp Kuwata (Miyazaki performance only)

Ticket handling:
TIGET https://tiget.net/ (except Miyazaki performance)
Tokyo Classical Musical Instruments Center 03-3952-5515 (Tsukuba/Tokyo)

The 17th century was a turbulent time in Europe. England, like Japan, was an island nation, so music during the Renaissance was Galapagosized and evolved on its own with the complex rhythms of the Middle Ages. However, as soon as the monarchy was restored from Cromwell's republican regime, a revolutionary change came to music with the influx of the great wave of baroque, basso continuo, dissonance, and various dances from the continent. The program will feature the warm tones and virtuosity of various Renaissance recorders playing the masterpieces of the various composers who were responsible for the dramatic historical and musical events and changes that took place. The program will also include the delightful, somewhat sad, and charming melodies of Playford's unprecedented bestseller "The Dancing Master," a collection of tunes that delighted many aristocrats of the time, along with ornaments and diminutions of the players' own compositions.